After attending my first writers’ conference, I came away inspired, and with a bucketload of great ideas! Of course, I won’t post the content of anyone’s actual presentation, as that’s not mine to share. However, I hope you benefit from these thoughts on what I learned, and some ideas on how I plan to apply them in my own journey. This is the seventh in a series of posts on lessons learned from the SCBWI Northern Ohio 2017 Conference.
Lesson 7: “Most manuscripts are rejected because there’s no emotional connection with the main character.”
In my seventh session, Vicki Selvaggio (@vselvaggio1), Associate Agent for The Jennifer DeChiara Literary Agency, discussed how to make our stories into cohesive journeys. She walked us through the parts of the story and the key considerations we need to make for each, and I came away with some ideas about how to add depth to my story and characters.
The biggest point that caught my attention, though, was her quote above about why manuscripts are rejected. I realized that, no matter how amazing my prose, no matter how fun my world, if an agent or publisher doesn’t connect emotionally with my main character, I’m sunk.
Long story short:
Nobody’s perfect. If your main character seems that way, they’ll probably come off as flat. Make them more of a real person and it will be easier to connect, and probably easier to get published.
Result: I’m going to take a good, hard look at my character, and talk to my beta readers about why they did or didn’t connect with her emotionally. Then I’m going to take Vicki’s advice and add further depth.
I’ll keep you posted as I make progress. In the meantime, please tell me what type of character you connect with the most and why, or share an example of a character you couldn’t connect with.
Crying man photo by Tom Pumford on Unsplash
Hands photo by freestocks.org on Unsplash